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THE BEATLES - CHRISTMAS ALBUM (1970)
Original Official USA Pressing

01. Dec. 1963 (5:03)
02. Dec. 1964 (4:04)
03. Dec. 1965 (6:25)
04. Dec. 1966 (6:41)
05. Dec. 1967 (6:09)
06. Dec. 1968 (7:53)
07. Dec. 1969 (7:40)

All tracks MONO
All of these mixes are officially unavailable on CD.
Full artwork included in download..

Hardware:
- Technics 1210mk2
- Jelco SA-750D Tonearm (w/ JAC 501 cable)
- Audio Technica AT33PTG MC
- Pro-Ject Tube Box SE-2
- Yamaha CA-1010
- RME ADI-2 A/D Interface

Software:
- Audition 3.0 used for editing, (incl. manual removal of clicks and pops) & adding gain.
- Click Repair 3.9.1 used with setting Cl: 10, Cr: 0

Transfer and Restoration by Prof. Stoned

Prof. sez:

Here's another rarity in the series "essential but not available on cd".

As you know, these 7 tracks were originally released on flexi discs to all members of the British fan club. When the band broke up in 1970, it was decided between the band's ever loyal fan club secretary Freda Kelly, George Harrison and Paul McCartney that the fan club was to be dissolved, as well. A final present to the club members was conceived: an album that put all seven Christmas messages together. In Britain the LP was called "From Then To You”, which first came out on the Lytone label, and then later on Apple. In the USA, the LP was simply called "Christmas Album", and came out on Capitol/Apple. Reportedly, the release of the USA pressing was much delayed; copies were delivered two or three months after Christmas to unsuspecting fan club members.

Both the UK and USA versions are said to have been sourced from Freda Kelly's copies of the original flexi discs. To my ears, 1964, 1965, 1969 and possibly 1968 may have been tape sourced, as they don't have the crackling that's quite apparent on the other tracks, and which one would expect from such an inferior medium. However, the sound quality is about equal for all tracks, and none of these have the same fidelity as the regular EMI recordings.

Because the original release was limited and not for commercial purposes, demand for this LP quickly exceeded supply, and soon enough, counterfeit versions of both the UK and USA releases appeared in the early ‘70s. Later on during that same decade, a counterfeit version of the USA album that faithfully copied the original sleeve and record labels flooded the market. To this day, these are often mistaken for the real deal, and in my estimation, outnumber genuine pressings on a scale of 10 to 1.

This recording was sourced from a mint original 1970 fan club copy with authentic Sam Feldman/Bell Sound signature. The vinyl quality is good for this era, and most of the surface noise actually comes from the recordings themself. I have managed to clean up the crackling as thoroughly as possible, without harming the sound. This might well be the best digital version so far, at least compared to all the sources I have heard.

As for the content itself, 1966 to 1968 are probably the most interesting ones. Then again, the whole series gives an interesting glimpse into Beatleworld over the course of seven years. I think it's an essential listen for the above-average fan (and let's face it, most of us are).

Enjoy and Happy Holidays!

FLAC: 16bit/44.1kHz (CD Quality)

password: profstoned

http://www.filefactory.com/file/486q7i1 ... _CA_LR.rar

SPECIAL HIGH RESOLUTION DOWNLOAD FOR AUDIOPHILIACS

FLAC: 24bit/96kHz (DVD Quality)



password: profstoned

http://www.filefactory.com/file/54qkc4z ... _CA_HR.rar

The revisionism is astounding.
Let It Be is a document of a band disintegrating. I guess for some it is uplifting to witness Yoko sitting at the mixing console during a Beatles recording session. At least she wasn't on the mic.

Except for The Continuing Story Of Bungalow Bill, among a few others. Of course, that was during a session earlier then Let It Be.

"you become naked" - Yoko Ono, Revolution 9

Today (January 30) was the 50th anniversary of the last time The Beatles performed live (on a rooftop).

New film collaboration between The Beatles and acclaimed Academy Award winning director Sir Peter Jackson announced

London – January 30, 2019 - Apple Corps Ltd. and WingNut Films Ltd. are proud to announce an exciting new collaboration between The Beatles and the acclaimed Academy Award winning director Sir Peter Jackson. The new film will be based around 55 hours of never-released footage of The Beatles in the studio, shot between January 2nd and January 31st, 1969. These studio sessions produced The Beatles’ Grammy Award winning album Let It Be, with its Academy Award winning title song. The album was eventually released 18 months later in May 1970, several months after the band had broken up.

The filming was originally intended for a planned TV special, but organically turned into something completely different, climaxing with The Beatles’ legendary performance on the roof of Apple's Savile Row London office — which took place exactly 50 years ago today.

Peter Jackson said, "The 55 hours of never-before-seen footage and 140 hours of audio made available to us, ensures this movie will be the ultimate ‘fly on the wall’ experience that Beatles fans have long dreamt about - it’s like a time machine transports us back to 1969, and we get to sit in the studio watching these four friends make great music together.”

Although The Beatles were filmed extensively during the 1960s - in concerts, interviews and movies - this is the only footage of any note that documents them at work in the studio.

The Let It Be album and movie, having been released in the months following The Beatles’ breakup, have often been viewed in the context of the struggle the band was going through at that time.

“I was relieved to discover the reality is very different to the myth,” continues Jackson, “After reviewing all the footage and audio that Michael Lindsay-Hogg shot 18 months before they broke up, it’s simply an amazing historical treasure-trove. Sure, there’s moments of drama - but none of the discord this project has long been associated with. Watching John, Paul, George, and Ringo work together, creating now-classic songs from scratch, is not only fascinating - it’s funny, uplifting and surprisingly intimate”.

"I’m thrilled and honoured to have been entrusted with this remarkable footage - making the movie will be a sheer joy.”

Jackson will be working with his They Shall Not Grow Old partners, Producer Clare Olssen and Editor Jabez Olssen. The footage will be restored by Park Road Post of Wellington, New Zealand, to a pristine standard, using techniques developed for the WW1 documentary film which has been nominated for a BAFTA for best documentary.

The untitled film is currently in production and the release date will be announced in due course. This film is being made with the full co-operation of Sir Paul McCartney, Sir Ringo Starr, Yoko Ono Lennon, and Olivia Harrison.

The Executive Producers are Ken Kamins for WingNut Films and Jeff Jones and Jonathan Clyde for Apple Corps.

Following the release of this new film, a restored version of the original Let It Be movie directed by Michael Lindsay-Hogg will also be made available.

^^^WOW...

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great news. it's about time.

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"bit of nostalgia for the old folks."

paul mccartney goes to liverpool
james corden can be a bit annoying, but this is a great video. paul mccartney is amazing.

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"bit of nostalgia for the old folks."

True stuff. I really like the stuff in the bar at the end.

nice ^ ^ ^

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"bit of nostalgia for the old folks."